The loading area needs to be big enough that trucks can turn around and back up to the chute easily.

This may be a little tight for a big bull, but for cows and calves it works pretty well,” he says. “About 30 to 36 inches is probably as wide as you want it. You don’t want a chute too narrow for big cattle, but you don’t want it so wide that smaller cattle try to turn around. I adore her' - Rebekah L.Width is also important. I trust her implicitly with my work and know that she always has the best interest of not me, but the stories & the characters at heart as a director and actress. She is creative, selfless and determined.

She sees the meaning in my work and challenges herself and her cast to give and leave everything on the stage in bringing the story to life. 'I have worked with Kymberle Joseph in several capacities for the past three years: as an actress in my plays (That Color Blind Kind of Love), a supporter and director of two of my plays, Bell Blu and The Myth. I recommend her expertise to all performers.' - Samuel Muriithi - Actor Her gift is in giving, so in order for you to receive, you must always be open. To anyone who'll be fortunate to be coached or trained by Kym, make sure you always come prepared and ready to work. I learned a lot about myself through our time together as an Actor and it served as a therapeutic endeavor. Kymberle is very earnest, direct and has the best intentions when coaching you to be at your highest peak. She's such a kind generous soul, but that is not to be mistaken as weakness. 'I had the experience of a lifetime working with Kymberle Joseph, as she directed a critically acclaimed play I was in called Bell Blu. She studied at the Susan Batson studios and voice with Mary Workman and Barbara Christopher.

She completed New School Creative Arts Therapy program with a focus in Drama Therapy. Kymberle has completed a 2-year acting conservatory under the tutelage of James Price, the founding director of the Acting Studio in NYC.

As they heal the audience, they also heal themselves. The performers desire to commit and thrive in the story creates freedom for themselves but most importantly for the audience. Kymberle believes performance allows the performer to rely on their own athleticism, grounding into the genuineness and realism and story. She has also directed several theater productions. As a playwright and producer she has mounted two of her plays “Monette” and “Choices”. She has graced the stage in several NYC productions, both off-Broadway and off-off Broadway. Kymberle Joseph an author, playwright, director, mother, daughter, sister and the founder/owner of the Kymberle Project –Performance Space, has always been a theater enthusiast.

Kymberlee stockmaster-wood